Archive for the ‘Trivia’ Category

More Art from Studio 700

Wednesday, February 3rd, 2010

As I’ve mentioned previously, I work as a sub at Studio 700, an art center for adults with disabilities, where I’m lucky to instruct or work with truly talented artists. One such artist, named Laura, works with construction paper and recently asked me what she should work on for the day. I suggested she create a self-portrait using non-traditional colors, i.e., to not use pink for her skin and brown for her hair, etc. She told me she prefers to work with animals and then created this amazing lion:

Laura's 'Lion'

It reminds me of Henri Rousseau’s jungle paintings, such as “Surprise!

Another student in the same class, Josh Johnsen, created this drawing while waiting for a computer. It was very offhand for him—I think he intended to throw it away—but I found in it a sense of power and mystery one often finds in more “primitive” drawings:

Josh Johnsen's 'Muscles'

It actually reminds me of a recurring dream I have that seems to be a mix Edgar Rice Burroughs’sJohn Carter of Mars” series and Robert Jordan’s Wheel of Time, where a sweaty, heavily-muscled red-skinned warrior battles his way through frightening alien landscapes. So, I decided to color Josh’s piece, and here is the result:

Josh Johnsen's 'Muscles' colored by Jesse Baggs

Posehn Encounters of the Skinner Kind

Wednesday, February 3rd, 2010

Sacramento-based artist Skinner has been hired by Relapse Records to create imagery for comedian Brian Posehn’s upcoming double-album. Skinner was nice enough to send me a photo of the t-shirt design he also created for Posehn, which looks fucking awesome!

Skinner's t-shirt design for comedian Brian Posehn

Given that both Skinner and Posehn are from the Sacramento area and love metal, I’d say this is a match made in hell!

Speaking of comedy in Sacramento, the Punch Line has been bringing in some great comedians lately, and Dave Attell will be here on March 16th and 17th!

Update: Check out the awesome He-Man show Skinner was in!

Indy Euphoria Wrap-Up

Wednesday, January 13th, 2010

Indy Euphoria is over, and while attendee turnout was disappointing, there was an abundance of good people, books, art and merchandise. As illustrator, painter and toy maker Jesse Hernandez put it, “I came with no expectations other than to draw and meet cool people.”

The con was held in the Scottish Rites Center on J Street. I recently read The Lost Symbol by Dan Brown, which taught me that the Scottish Rites people are Masonic, so I was on the lookout for secret symbols. Sure enough, as I crossed the American River on Sunday I saw what appeared to be a pyramid on the back of the Scottish Rites building! Aha! Dan Brown put me in the know! Turns out though I’m more of a know-nothing: the pyramid structure is actually part of a Seventh Day Adventists church East of the Scottish Rites Center. Robert Langdon I’m not.

Anyway, Indy Euphoria’s special guests included Jeffrey Brown and Nate Powell; Jim Woodring cancelled, apparently. Like many female fans of alternative comics, the girlfriend of local painter and metal God Skinner has an inexplicable and unhealthy crush on Brown, and used the cartoonist’s appearance in Sacramento to further stalk the poor man. “He better not have brought his fucking family!” she told me. I bought Powell’s gorgeous Swallow Me Whole, and upon learning that Powell has worked for some time providing support to adults with developmental disabilities, I also purchased his autobiographical book on the subject, Please Please, for insights on a field I recently entered as well.

Speaking of Skinner, he purchased my last copy of The Bridge Project, an anthology containing a story by Carolyn Main and myself. Skinner also bought a copy of The Time Tripper, a comic by Max Challender, one of the artists I work with at Studio 700. The comic tells the tale of Max travelling through time to meet beautiful women, his deceased father and even a version of himself in the far-flung future. Besides selling Challender’s book, my mini-comics and my flip-comic with Clave, How Hipsters are Like Superheroes / Baggs & Me, I was also selling, as always, drawings for a dollar. If anyone out there who purchased a dollar drawing finds their way to this blog, email me a scanned copy of your drawing and I’ll put it up on the Internet for all to see! In the meantime, here’s a scan of my dollar drawing ad:

(Scratch Papers, Page 77)

Also attending Indy Euphoria was a large contingent of Bay Area cartoonists and artists, including Jed Alexander, Kane Lynch, Josh Frankel, Andrice Arp and Jesse Reklaw (formerly of the Bay Area), Susie Cagle and Francois Vigneault. I got to better know a few of those fine folk, and get some of their comics, including Relic #2 and Laikia-23 from Kane Lynch, and the hilarious Pancakes Solve Nothing by Josh Frankel, plus the equally hilarious Desert Island Paradise and Only the Lonely, two Frankel-edited anthologies.

Having so many Bay Area cartoonists exhibit at the sparsely attended Indy Euphoria was a little embarrassing, especially with the great attendance at Francois Vigneault’s own SF Zine Fest. Still, it was organizer Anthony Leano’s, and possibly Sacramento’s, very first expo or convention for independent, underground and alternative comics. Which is weird considering Sacramento’s connection to many famous cartoonists. Robert Crumb and Aline Kominsky lived outside of Sacramento in Winters before moving to France. Charles Burns went to UC Davis. Justin Green, who is now considered one of the first graphic novelists, and Carol Tyler lived in Sacramento for a time. Some of Green’s comics were published in now-defunct Tower Record’s music magazine Pulse! by fellow Sacramento resident Marc Weidenbaum and later collected as the anthology Musical Legends. Weidenbaum also published comics in Pulse! by Sacramento teenager Adrian Tomine, who went on to become one of the great talents of alternative comics. The aforementioned Josh Frankel went to high school with Tomine, and the aforementioned Jesse Reklaw also lived in Sacramento while growing up. There are, in fact, several similarities between Reklaw and myself: we both share the same first name, love comics, grew up in Sacramento and, as I learned in his Expo 2000 anthology story “How I Ruined My Bladder,” both have bladder problems.

Despite its comic connections, Sacramento may never have an alternative comics convention as well attended as Stumptown, SPX or SF Zine Fest. There were, however, some Sacramento-specific things about Indy Euphoria that I really enjoyed. Local DJ Roger Carpio was spinning the choicest dance-rock cuts in the lobby, just as he does at Lipstick, Tuesday nights at Old Ironsides, and Fuck Fridays, Friday nights at the Townhouse. When I was newly single after my divorce, Carpio helped me angry-dance away my troubles. There was also a live drawing session Saturday night with Mike Hampton, zombie girls, and Dan Brereton of Nocturnals fame, who was really fun and approachable. Here’s one of my better drawings from the session:

(Scratch Papers, Page 76)

The zombie girls were clients of tattoo and comic book artist Brandon Bracamonte, a guy I knew in high school and hadn’t seen again until the show. When I met Anthony Leano at a Drink and Draw last year I heard Brandon was still in the local comics scene, and then at APE his badge was accidentally included with the set of badges for my table, so apparently this meeting was pre-ordained. I also got to meet, for the second time in a long time, the Sacramento News & Review’s editorial cartoonist John Kloss, who shared tales of knowing Crumb, Justin Green and Carol Tyler back in the day, and revealed the number one cause of divorce: marriage. I also got to know local cartoonist and WoW enthusiast M. Neils, aka “Pocket,” who sat at the table next to mine.

A few final Indy Euphoria highlights: watching Chris Perguidi pretend to get beat up for his local access show in Gilroy, seeing a guy I don’t know wearing one of my t-shirts who gave me two funny mini-comics (send me an email guy and I’ll send you some credit!), meeting a girl who owns another one of my t-shirts, meeting Ann Masushima of Eyeball Burp and her fiancé Alex Chiu and reading their inspiring zines and comics, and of course everyone who stopped by the table to buy a comic or chat!

Oh, and one last thing: this super-cute doll by Chartruz Lovelace, which I got for my super-cute doll, Audrey.

Merry Christmas!

Wednesday, December 23rd, 2009

Going Wrong

Monday, November 23rd, 2009

Matt Taibbi has an excellent post on his blog about the appeal of Sarah Palin. He argues that previous cultural warriors such as Rush Limbaugh actually present information to support their arguments on various issues, however fallacious the information and trivial the issue, whereas Sarah Palin tends to discuss issues that revolve around herself and her personal life, such as the photo used by Newsweek for their recent cover story on Palin. In short, the Palin political narrative centers on the various assholes Palin encounters and conquers, and that’s something everyone can relate to, because,

Complaining about the assholes we interact with on a daily basis is the #1 eternal pastime of the human race. We all do it, and we get to do it every day, because the world is full of assholes. Me personally, I waste an enormous amount of time seething over people [. . .]. We all get into furious arguments at work that make us want to explode in self-righteous fury (in my office dramas I always realize I was actually the asshole a day or so later) and when we get home from work, this is usually what our loved ones hear about for at least the first hour or so.

Therefore,

[. . .] Katie Couric’s notorious Palin interview last year really was a cheap shot. After all, Katie was trying to nail Palin — which is mean! Who among us can’t sympathize with the experience of being sandbagged by some slick professional rival who catches you in a moment of weakness and, instead of lending a helping hand, drives a fireplace poker through your eye? [. . .]
You’d have to be thinking about the broader picture, about the fact that the president of the United States ought not to be a drooling yahoo [. . .] who thinks living near Canada counts as foreign policy experience, to not see what an asshole Katie Couric was being.

[. . .]

With Going Rogue, the 2012 reality show has already begun. As brainless political theater, she can’t be topped. It’s just too bad for conservatives that she happens to be unsustainably divisive and, as Newsweek points out, a really good bet to permanently marginalize the Republican party by reducing it to a pissed-off, semi-coherent mob that repulses independent voters on a visceral level. To paraphrase John Doman’s Deputy Ops Rawls character from The Wire, she’s “brilliant — fuckin’ shame it’s gonna end our careers, but still.”

The whole thing is worth a read, and bonus points for quoting The Wire.

Happy Fall

Thursday, November 19th, 2009

Two-Year Anniversary Drawing

Thursday, November 12th, 2009

She shook me two years long. Click to enlarge.

Silent Bitch

Sunday, October 25th, 2009

Once, while Audrey and her friends were listening to “Like a Rolling Stone,” they realized that between “How does it feel” and “To be without a home,” Bob Dylan was missing a “bitch,” as in, “How does it feel / [BITCH] / To be without a home?” Actually, Dylan probably didn’t forget to include “bitch,” it’s just very obviously implied, or silent, like the “T” in “Listen,” which is why it works so well to add it back in.

So, how does it feel?

Samus Lives!

Friday, October 2nd, 2009

I was searching the web for photos of Pugsley for this year’s Halloween costume (Audrey’s going to be Wednesday!), and, via deceased comic book / sci fi / video game costume blog Monster Donut I stumbled on the web site of Pixel Ninja, also known as the Swedish-Japanese artist Jenni Källberg, who makes awesome video game costumes!  Check out her killer Samus and super-cute Princess Peach:

9/12 Protestor We Can ALL Agree With

Tuesday, September 22nd, 2009

Link via Dependable Renegade, via Huffington Post.