Archive for the ‘Television’ Category

Sac Con, CosPlay, Furries and Clave’s Doppelganger

Sunday, March 21st, 2010

I went to the Sacramento Comic, Toy and Anime show (Sac Con) with Kevin Trivedi two weekends back. The show was fun and there was a lot of great stuff for sale, but I wouldn’t have blogged about the show if it weren’t for the presence of three strange phenomenon: CosPlay, Furries and Clave’s Doppelganger!

For the uninitiated, “CosPlay” is simply an abbreviation of the words “Costume Play,” and refers to the act of dressing up as characters from Science Fiction, Fantasy, Comic Books, Anime and video games. This phenomenon isn’t new—people have been dressing up as superheroes and characters from Star Trek and Star Wars for decades—but those who associate themselves with the CosPlay scene tend to skew younger and have a greater affinity for Japanese pop culture. I found this to be true at Sac Con: while there were a few exceptions, most of those in costume were teenagers. They were so young there was even a game of Red Rover going on out front when I got there:

CosPlay enthusiasts playing Red Rover at Sac Con

Of course, just because you’re a teenager into CosPlay, that doesn’t mean you’ll necessarily limit yourself to characters from Japan. Here’s a kid dressed up as the Mad Hatter from Tim Burton’s Alice in Wonderland, which wasn’t even out at the time of the show:

CosPlay enthusiast dressed as the Mad Hatter from Tim Burton's 'Alice in Wonderland'

The nice thing about people who dress up for comic book conventions is that they’re always quite happy to take have their picture taken, so I was able to get a photo of a group of kids who didn’t even know each other. I told them we old people are fascinated by their strange customs:

Group of CosPlay enthusiasts at Sac Con

CosPlay outfits can be quite intricate, as seen in this Link / Epona duo (Link is the hero of the Legend of Zelda video games from Nintendo; in the popular installment Ocarina of Time, Epona is Link’s horse). The kid dressed up as Link wasn’t content to let his own face substitute for Link’s, he actually wore a Link mask that more closely resembled the character’s blocky, Anime-style features. The Epona costume was even crazier, worn and operated by only one person using hand-stilts for the front legs!

Epona and Link at Sac Con

Epona at Sac Con

Epona FAQ

As weird as CosPlay may seem to us old people, the Furry phenomenon is even weirder. Furries are fans of fictionalized anthropomorphic characters that also create their own costumes, either of existing Furry characters or characters of their own design. Some Furries enjoy pornography featuring anthropomorphic characters and even have sex in costume, although the Wikipedia article I linked above downplays this aspect of the subculture. Still, being aware of Furry sex makes seeing Furries a bit awkward:

A Furry at Sac Con

The last weird thing I saw at Sac Con was a doppelganger of my young protégé Clave! Although he cut his hair last year, Clave used to have long, wavy red hair, not unlike local cartoonist Griffon Lyles, seen here with fellow cartoonist Devon McMindes:

Devon McMindes and Griffon Lyles at Sac Con

Griffon even has a similar drawing style to Clave’s, as seen in this self-portrait:

Griffon Lyles self-portrait

Like I said, Sac Con was a lot of fun, and there are several such events in Sacramento every year, so check out their web site and go to the next con, if only to be a voyeuristic creep like me! I can’t be the only cultural tourist at these things!

In the Voice of Buster Bluth: “I’m a Monster!”

Saturday, March 20th, 2010

One of my students at Studio 700, Andy K, creates really cute little monster characters, so I asked him to draw one of Audrey and I. Here are the results:

'Jesse and Audrey' by Andy K

Roseville’s Blue Line Gallery

Wednesday, February 3rd, 2010

Speaking of other people’s art, I was lucky enough to visit Roseville’s Blue Line Gallery the other day and saw a great collection of art by Gerald Heffernon entitled, “Inside-Out Evolution.” His work features surreal combinations of humans and animals, such as this painting, “The Cocktail Party”:

'Cocktail Party' by Gerald Heffernon

My favorite work by Heffernon is the statue “Farm Poet.” Here’s a picture of the sculpture from the artist’s web site, and a picture I took at the gallery using my camera phone:

'Farm Poet' by Gerald Heffernon

'Farm Poet' by Gerald Heffernon

I didn’t realize it until I visited his web site, but I’ve seen Heffernon’s work before. His a picture of my fiancé Audrey standing in front of Heffernon’s statue, “Rabbinoid, male”:

'Rabbinoid, male' by Gerald Heffernon

The gallery also featured two other statues by T.S. Linzey from their “Emerging Artists” show that would be of interest to fans of comics: “Load” and “. . . transition . . .”

'Load' by T.S. Linzey

'...transition...' by T.S. Linzey

9/12 Protestor We Can ALL Agree With

Tuesday, September 22nd, 2009

Link via Dependable Renegade, via Huffington Post.

Joe Quesada Knows What the Kids are Into

Friday, September 18th, 2009

Discussing his recent run on Captain America in the October 2009 issue of Wizard magazine, comics writer Ed Brubaker says Marvel Comics Editor-in-Chief Joe Quesada told him, “‘“Kids reading comics today, they don’t care too much about Nazis, so having Captain America’s archvillain be a Nazi is less interesting than having him [. . . be] some corporate madman from ex-Communist Russia.”’”

I’m not sure which “kids” Joe Quesada is talking about here.  Does he mean kids ages 8-16, who were born after the Cold War ended, the kids who were very young when terrorists killed more American civilians on September 11th, 2001, than the Soviets ever managed to kill during the entire Cold War, the kids who grew up in a Nation reacting to that horrible event?  Those kids?  Or does he mean the older “kids” who grew up during the Cold War and still read superhero comics?

I know I shouldn’t take this statement too seriously; it is, after all, hearsay in a puff piece by Wizard, which tends to be just one big uncritical advertisement for whatever is going on in Corporate Comics these days anyway.  Still, this is the sort of ridiculous, unchallenged statement that appears all the time in the media, whether in serious journalism or in entertainment rags like Wizard, and it drives me crazy.

Another ridiculous, unchallenged statement I love to hate also comes from Joe Quesada regarding Marvel Comics, although this line of bullshit certainly didn’t start with him.  It’s the statement that Marvel Comics, unlike DC comics, takes place in the “real world” (you can see Quesada say this after being prompted by Stephen Colbert.  Say it ain’t so, Stephen!).  When Marvel shills say this, they don’t mean that Marvel tells nuanced, detailed stories about ordinary individuals struggling to find meaning in their lives in the face of social pressure, poverty, disease, wars and, ultimately, death (that’s what Adrian Tomine’s comics are about), but rather that many Marvel characters live in New York City, as opposed to the fictionalized New York of Superman’s Metropolis or Batman’s Gotham.  That’s it.  In the Marvel Universe, just like the DC Universe, there are still people who gain super powers from random events who then don skin-tight costumes to fight crime, aliens and demons.  That doesn’t mean that there aren’t fictional places in the Marvel universe, either; there’s Atlantis, Genosha, Latveria, and Wakanda, to name several.  It just means that Marvel wants to distinguish itself from a competitor that offers products nearly identical to their own, so they take one tiny difference that isn’t really a difference at all and then blow it up to make themselves look better.  And no one calls them on their shit.

One last thought: offering a product nearly identical to one’s competitor is probably one of the motivations behind Disney’s recent purchase of Marvel Comics.  Disney, like Warner Brothers, owns or co-owns a television network (ABC for Disney, The CW for Warner Brothers), various movie studios (Touchstone Pictures for Disney, Warner Brothers for Warner Brothers), and a slew of animated properties (Disney for Disney, Looney Tunes for Warner Brothers), but until now, no superheroes (DC Comics for Warner Brothers, and now, Marvel Comics for Disney).  And while I’m sure publishing superhero comics is profitable (Wizard wouldn’t exist otherwise), Disney is probably less interested in publishing quality funny books for the kiddies than they are in making superhero movies and taking advantage of the worldwide marketing opportunities those movies provide.

The Cheese Stands Alone

Wednesday, September 9th, 2009

Stephen Colbert may always be on the lookout for his new black friend,

But I just wish I could get my nieces . . .

. . . to like me

Sacramento is Officially Doomed

Sunday, July 19th, 2009

Mark S. AllenIn his “Bites” column for the July 16, 2009 issue of Sacramento News & Review, columnist Cosmo Garvin points out that since The Sacramento Bee will no longer be publishing movie reviews by their film critic Carla Meyer, “[. . .] Mark S. Allen will now be the most influential film critic in the region.”

We’re doomed I tell you, DOOMED!

Incidentally, I saw Mr. Allen while out at a restaurant a few months ago, and he was a lot smaller than he appears on TV.

Link Laffs

Thursday, January 29th, 2009

Here are a few links worth sharing:

And You Thought Jessica Alba Wasn’t Smart  . . .

Bill O’Reilly recently called Jessica Alba a “pinhead” for suggesting that Sweden was neutral during World War II.  O’Reilly, according to The Scoop’s Courtney Hazlett, assumed Alba meant Switzerland.

However, Alba really did mean Sweden, because Sweden really was neutral.  Who’s the pinhead now?  Actually, O’Reilly has always been, and always will be, a pinhead.

Drama at Chipotle

The Onion released a hard-hitting piece of investigative journalism this week, entitled, “Chipotle Employee Just Gave Guy in Front of You More Rice.”  I’m sure all the other passive-aggressive Chipotle lovers out there will enjoy this article as much as I did.  Best line:  “More shockingly, birth records indicate that you are a full-grown adult presumably capable of communicating your thoughts and desires to an unthreatening 19-year-old burrito-assembler.”

And finally,

How to Respond to Terrorists

John Oliver and Jon Stewart in a hilarious, but moving, piece from an episode in last month’s The Daily Show. I’m having trouble getting the video to embed here on my WordPress blog, so you’ll have to follow this link to see the video, but enjoy nonetheless.

The Scratch Papers, Page 62, “Couldn’t Do Tough to Save My Life”

Saturday, August 23rd, 2008

1989. It’s tough for me to date drawings from this period because I always I assume I was very young when I drew them, but if I’m quoting Tim Burton’s Batman it must be June of 1989, when I was ten. These drawings are hilarious for several reasons: note Robin’s short pants (drawn here at a modest length, rather than the Speedo-briefs Robin normally wears while fighting crime), the 1960s television Batman versions of The Riddler and The Penguin, my barely competent imitation of Brian Bolland’s famous Joker art, but, most of all, Batman’s silly grin beneath the famous movie line, “I’m Batman.” This was over-the-top but kind of cool in Burton’s Batman (and Christopher Nolan’s homage to same in Batman Begins). Here it’s just ridiculous. It actually reminds me more of one of Matt Groening’sLife in Hell” strips from Will and Abe’s Guide to the Universe, in which a young Abe informs his father that he wears a cape because he’s “‘Dracuya’” and that he likes to “‘suck byud.’” So, imagine my smiley-Batman saying, “I’m Byatman.”

Extra Bonus Trivia: My girlfriend Audrey and I like to be disgustingly cute by adding a “y” sound to the beginning of words, as in “byud” instead of “blood” or “that comic is syo cyute.” After reading the “Life in Hell” strip discussed above, “I fyi away beardface” became a favorite catchphrase with endless permutations, such as “I fyi away blondeface” as a farewell from me to Audrey (because she’s blonde).

Lost for Indiana

Thursday, May 22nd, 2008

At the end of last week’s episode of Lost, many of us were upset to discover that we’d have to wait two weeks for the season finale. As always, however, we should have had more faith in the foresight and wisdom of the Lost creators, who, like God, surely make no decision that cannot be satisfactorily explained later.

The reason for postponing the Lost season finale? So our Thursday night would be free for the premiere of Indiana Jones and The Kingdom of The Crystal Skull, of course!