Archive for the ‘Batman’ Category

The Scratch Papers, Page 81: “Swing, Kick, Fail”

Tuesday, June 1st, 2010

Pencil drawing of Batman swinging into an alley to kick a superstitious, cowardly criminal in the face

Pencil, 2010.

Indy Euphoria Wrap-Up

Wednesday, January 13th, 2010

Indy Euphoria is over, and while attendee turnout was disappointing, there was an abundance of good people, books, art and merchandise. As illustrator, painter and toy maker Jesse Hernandez put it, “I came with no expectations other than to draw and meet cool people.”

The con was held in the Scottish Rites Center on J Street. I recently read The Lost Symbol by Dan Brown, which taught me that the Scottish Rites people are Masonic, so I was on the lookout for secret symbols. Sure enough, as I crossed the American River on Sunday I saw what appeared to be a pyramid on the back of the Scottish Rites building! Aha! Dan Brown put me in the know! Turns out though I’m more of a know-nothing: the pyramid structure is actually part of a Seventh Day Adventists church East of the Scottish Rites Center. Robert Langdon I’m not.

Anyway, Indy Euphoria’s special guests included Jeffrey Brown and Nate Powell; Jim Woodring cancelled, apparently. Like many female fans of alternative comics, the girlfriend of local painter and metal God Skinner has an inexplicable and unhealthy crush on Brown, and used the cartoonist’s appearance in Sacramento to further stalk the poor man. “He better not have brought his fucking family!” she told me. I bought Powell’s gorgeous Swallow Me Whole, and upon learning that Powell has worked for some time providing support to adults with developmental disabilities, I also purchased his autobiographical book on the subject, Please Please, for insights on a field I recently entered as well.

Speaking of Skinner, he purchased my last copy of The Bridge Project, an anthology containing a story by Carolyn Main and myself. Skinner also bought a copy of The Time Tripper, a comic by Max Challender, one of the artists I work with at Studio 700. The comic tells the tale of Max travelling through time to meet beautiful women, his deceased father and even a version of himself in the far-flung future. Besides selling Challender’s book, my mini-comics and my flip-comic with Clave, How Hipsters are Like Superheroes / Baggs & Me, I was also selling, as always, drawings for a dollar. If anyone out there who purchased a dollar drawing finds their way to this blog, email me a scanned copy of your drawing and I’ll put it up on the Internet for all to see! In the meantime, here’s a scan of my dollar drawing ad:

(Scratch Papers, Page 77)

Also attending Indy Euphoria was a large contingent of Bay Area cartoonists and artists, including Jed Alexander, Kane Lynch, Josh Frankel, Andrice Arp and Jesse Reklaw (formerly of the Bay Area), Susie Cagle and Francois Vigneault. I got to better know a few of those fine folk, and get some of their comics, including Relic #2 and Laikia-23 from Kane Lynch, and the hilarious Pancakes Solve Nothing by Josh Frankel, plus the equally hilarious Desert Island Paradise and Only the Lonely, two Frankel-edited anthologies.

Having so many Bay Area cartoonists exhibit at the sparsely attended Indy Euphoria was a little embarrassing, especially with the great attendance at Francois Vigneault’s own SF Zine Fest. Still, it was organizer Anthony Leano’s, and possibly Sacramento’s, very first expo or convention for independent, underground and alternative comics. Which is weird considering Sacramento’s connection to many famous cartoonists. Robert Crumb and Aline Kominsky lived outside of Sacramento in Winters before moving to France. Charles Burns went to UC Davis. Justin Green, who is now considered one of the first graphic novelists, and Carol Tyler lived in Sacramento for a time. Some of Green’s comics were published in now-defunct Tower Record’s music magazine Pulse! by fellow Sacramento resident Marc Weidenbaum and later collected as the anthology Musical Legends. Weidenbaum also published comics in Pulse! by Sacramento teenager Adrian Tomine, who went on to become one of the great talents of alternative comics. The aforementioned Josh Frankel went to high school with Tomine, and the aforementioned Jesse Reklaw also lived in Sacramento while growing up. There are, in fact, several similarities between Reklaw and myself: we both share the same first name, love comics, grew up in Sacramento and, as I learned in his Expo 2000 anthology story “How I Ruined My Bladder,” both have bladder problems.

Despite its comic connections, Sacramento may never have an alternative comics convention as well attended as Stumptown, SPX or SF Zine Fest. There were, however, some Sacramento-specific things about Indy Euphoria that I really enjoyed. Local DJ Roger Carpio was spinning the choicest dance-rock cuts in the lobby, just as he does at Lipstick, Tuesday nights at Old Ironsides, and Fuck Fridays, Friday nights at the Townhouse. When I was newly single after my divorce, Carpio helped me angry-dance away my troubles. There was also a live drawing session Saturday night with Mike Hampton, zombie girls, and Dan Brereton of Nocturnals fame, who was really fun and approachable. Here’s one of my better drawings from the session:

(Scratch Papers, Page 76)

The zombie girls were clients of tattoo and comic book artist Brandon Bracamonte, a guy I knew in high school and hadn’t seen again until the show. When I met Anthony Leano at a Drink and Draw last year I heard Brandon was still in the local comics scene, and then at APE his badge was accidentally included with the set of badges for my table, so apparently this meeting was pre-ordained. I also got to meet, for the second time in a long time, the Sacramento News & Review’s editorial cartoonist John Kloss, who shared tales of knowing Crumb, Justin Green and Carol Tyler back in the day, and revealed the number one cause of divorce: marriage. I also got to know local cartoonist and WoW enthusiast M. Neils, aka “Pocket,” who sat at the table next to mine.

A few final Indy Euphoria highlights: watching Chris Perguidi pretend to get beat up for his local access show in Gilroy, seeing a guy I don’t know wearing one of my t-shirts who gave me two funny mini-comics (send me an email guy and I’ll send you some credit!), meeting a girl who owns another one of my t-shirts, meeting Ann Masushima of Eyeball Burp and her fiancé Alex Chiu and reading their inspiring zines and comics, and of course everyone who stopped by the table to buy a comic or chat!

Oh, and one last thing: this super-cute doll by Chartruz Lovelace, which I got for my super-cute doll, Audrey.

Apropos of Nothing 4

Friday, January 30th, 2009

A clever graffiti artist painted a sign in my neighborhood like this back in 1989 when the first Tim Burton Batman movie came out.

The Scratch Papers, Page 62, “Couldn’t Do Tough to Save My Life”

Saturday, August 23rd, 2008

1989. It’s tough for me to date drawings from this period because I always I assume I was very young when I drew them, but if I’m quoting Tim Burton’s Batman it must be June of 1989, when I was ten. These drawings are hilarious for several reasons: note Robin’s short pants (drawn here at a modest length, rather than the Speedo-briefs Robin normally wears while fighting crime), the 1960s television Batman versions of The Riddler and The Penguin, my barely competent imitation of Brian Bolland’s famous Joker art, but, most of all, Batman’s silly grin beneath the famous movie line, “I’m Batman.” This was over-the-top but kind of cool in Burton’s Batman (and Christopher Nolan’s homage to same in Batman Begins). Here it’s just ridiculous. It actually reminds me more of one of Matt Groening’sLife in Hell” strips from Will and Abe’s Guide to the Universe, in which a young Abe informs his father that he wears a cape because he’s “‘Dracuya’” and that he likes to “‘suck byud.’” So, imagine my smiley-Batman saying, “I’m Byatman.”

Extra Bonus Trivia: My girlfriend Audrey and I like to be disgustingly cute by adding a “y” sound to the beginning of words, as in “byud” instead of “blood” or “that comic is syo cyute.” After reading the “Life in Hell” strip discussed above, “I fyi away beardface” became a favorite catchphrase with endless permutations, such as “I fyi away blondeface” as a farewell from me to Audrey (because she’s blonde).

The Scratch Papers, Page 58, “Doodle Fantasy”

Friday, July 11th, 2008

A scrap of paper I’ve been doodling on all week. You may notice both Batman and a Teenage Mutant Ninja Turtle; Clave says I always find a way to fit them into any doodle, even if they’re almost hiding in this one. There’s also a new character here: Mat Cauthon, AKA “The Gambler,” from Robert Jordan’s Wheel of Time fantasy series, which I’ve been listening to lately as audio books on my iPod. I don’t enjoy Jordan’s work as much as I do George R. R. Martin’s Song of Ice and Fire (which will hopefully be an amazing new show on HBO very, very soon), but I’m not quite part of the group that artist and writer Abby Goldsmith describes as “[…] bitter ex-fans who continue to buy each new volume because they’re hopelessly addicted,” either. For example, although the series can be quite boring and silly at times, I was frustrated to discover yesterday, halfway through Crossroads of Twilight, that I’m missing the whole middle section of the book! Somehow the files were lost while uploading the CDs to iTunes, or never uploaded in the first place. As Mat himself would say, “Light burn me!”

The Scratch Papers, Page 32: “Batman versus the Swordsman”

Tuesday, March 25th, 2008

1989. I loved this scene from Tim Burton’s version, where Batman takes on an alley full of bad guys, including a sword-wielding madman! Notice the inner circles of the title “Batman” are made up of Bat-signals.

The Scratch Papers, Page 17: Doodle Detonation

Tuesday, March 4th, 2008

I’m back in training, which means doodling compulsively while the teacher lectures.  I just read P. D. James’s The Children of Men, which was the basis for the film of the same name, and in the book one of the members of the council that rules England in a dystopian future doodles Napoleonic battle scenes during meetings.  The narrator observes this is not out of boredom or distraction but as a way to avoid wasting time.  For me it’s half boredom and distraction and half a way to avoid wasting time.

These are all from today.  I always try to doodle less but it’s difficult.

The Scratch Papers, Page 15: My 6th Grade Realistic Batman

Wednesday, February 20th, 2008

Like most kids between the ages of 9 and 11 I went through a “realistic” phase, meaning I wanted my drawings to look realistic.  This was incredibly frustrating because my main artistic influence up to that point was Syd Hoff.  Of course, even though my Batman looks somewhat retarded, I now find this drawing incredibly charming.  I can even tell which image from the movie I copied.

Commissioner Gordon is a Dick

Tuesday, June 5th, 2007

In the spirit of sites such as Superman is a Dick, which use imagery from old comic books to prove, beyond reasonable doubt, that Superman is a dick and Batman is a pedophile, I present the following panel for your consideration:

From The Dark Knight Returns by Frank Miller (with Klaus Janson, Lynn Varley and John Costanza), Book II, Page 2, Panel 8.