Archive for August, 2008

The Scratch Papers, Page 62, “Couldn’t Do Tough to Save My Life”

Saturday, August 23rd, 2008

1989. It’s tough for me to date drawings from this period because I always I assume I was very young when I drew them, but if I’m quoting Tim Burton’s Batman it must be June of 1989, when I was ten. These drawings are hilarious for several reasons: note Robin’s short pants (drawn here at a modest length, rather than the Speedo-briefs Robin normally wears while fighting crime), the 1960s television Batman versions of The Riddler and The Penguin, my barely competent imitation of Brian Bolland’s famous Joker art, but, most of all, Batman’s silly grin beneath the famous movie line, “I’m Batman.” This was over-the-top but kind of cool in Burton’s Batman (and Christopher Nolan’s homage to same in Batman Begins). Here it’s just ridiculous. It actually reminds me more of one of Matt Groening’sLife in Hell” strips from Will and Abe’s Guide to the Universe, in which a young Abe informs his father that he wears a cape because he’s “‘Dracuya’” and that he likes to “‘suck byud.’” So, imagine my smiley-Batman saying, “I’m Byatman.”

Extra Bonus Trivia: My girlfriend Audrey and I like to be disgustingly cute by adding a “y” sound to the beginning of words, as in “byud” instead of “blood” or “that comic is syo cyute.” After reading the “Life in Hell” strip discussed above, “I fyi away beardface” became a favorite catchphrase with endless permutations, such as “I fyi away blondeface” as a farewell from me to Audrey (because she’s blonde).

“I Am an Amanuensis” 46: Rancid

Saturday, August 23rd, 2008

Playback, rock and roll come and save me
It’s a safe bet that you will never ever betray me
And I’ll give back everything that you gave me
And I know that no one can ever ever constrain me

Rancid, “Indestructible,” from the album of the same name. This is how I feel about comics.

Amanuensisnoun. A person employed to write what another dictates or to copy what has been written by another.

Shocking News: Rush Limbaugh Racist

Wednesday, August 20th, 2008

In what will hopefully become his “Imus” moment, Rush Limbaugh went on the air today and called Obama “‘[…] the little black man-child.”

Media Matters has a recording of the audio online, which can be heard here.

Fun with Clave

Tuesday, August 19th, 2008

I’ve been quite pleased with my student Clave’s progress as of late. Not only is he putting together some truly awesome pages for his soon-to-be-released mini-comic The Intern, he’s also completed one of the most important tasks for any aspiring artist: a photo of the artist as a serious young man:

These days I’m not giving Clave as many specific lessons; instead we’re having fun creating jam comics based on suggestions from Jessica Abel and Matt Madden in their great book Drawing Words & Writing Pictures! In our last meeting Clave and I created an “Icons” jam comic, in which “Word / thought balloons can only contain images or icons, no words.” We used the eponymous character from Clave’s soon-to-be-released mini-comic The Intern and his mentor-from-hell:

Clave liked it so much he created a final color version he’s considering for use as the cover of his soon-to-be-released mini-comic The Intern (on sale soon!):

Tonight Clave and I created a “Panorama” jam, in which “The backgrounds on the entire page must depict a continuous landscape, while the comic still tells a story.” To make things easier I made the relative flatness of outer space our background, the Death Star at its center. The comic can be seen in all its rough, unedited glory here; unfortunately, its size and layout make it hard to read, so I rearranged the panels in a very unpanoramic way to be viewed here in the blogg:

Finally, while I drew my panels for the Panorama jam Clave took it upon himself to edit a photo of me with my new niece, Carrissa. Not really a jam comic, but still fun:

Ben Stein Flunks Critical Reasoning

Monday, August 18th, 2008

Last night I caught the end of an interview with Ben Stein on C-Span in which Stein said something truly ridiculous:

[Interviewer Brian] LAMB: You said, for instance that there is a course offered at Brown [University] called the black female body in American culture.

STEIN: Right, none about the white female body or the Hispanic or the Asian female body, but the black female body. Lots and lots of classes in lesbian studies and gay women’s and gay men’s studies, but interestingly enough, not a single class – I believe that as a sister of Brown, in military history, not a single class in just a straightforward history of the United States of America [Emphasis added].

I’m not sure what the comment, “I believe that as a sister of Brown,” means (it could be an error in the transcript), but let’s take a look at Stein’s statement that there is not a single class at Brown in military history or straightforward history of the United States. The idea that an accredited, Ivy League University offers no such classes is laughable on its face, but Stein also invited viewers to find out for themselves, saying, “[…] I respectfully ask anyone who has a moment to read the section of the book that deals with the Brown University College catalogue […].” Fortunately, I did have a moment to check Brown’s course catalogue, and guess what? Ben Stein is categorically wrong.

Brown actually has an entire section of its course dedicated to “American Civilization,” something Stein would know if he had actually done any research, as he pretends to in his interview. In the Fall of 2008, Brown is offering the following courses in American History, both within and without its American Civilization program: “American History to 1877,” “American History since 1877,” “Era of the American Revolution,” “History of the American Colonies,” “The Early Republic,” “Antebellum America and the Road to Civil War,” “Civil War and the Reconstruction,” “Politics and Culture in the U.S. since 1945,” and many more. Whether or not these history classes are “straightforward” enough for Stein, I can’t say. I would, however, suggest that before he makes such a decision he actually takes one of these classes, rather than simply pulling a name at random from the course catalogue that fits his preexisting ideas about liberal universities.

As for military history, I didn’t see anything that used that term specifically, but it is possible that I missed it since I only took “a moment” to look, per Ben Stein’s suggestion. I did, however, find the following classes that dealt with armies, war and violence: “The American Military: Global Supremacy, Democracy and Citizenship,” “The Cuban Missile Crisis: American, Russian and Cuban Viewpoints,” “The Vietnam War Revisited,” “Hellenistic History: From Alexander the Great to the Roman Conquest,” “Japan’s Pacific War: 1937-1945,” “Cold War/War on Terror,” “Colonialism, War and Memory in East Asia,” “Grand Strategies of Empires,” “Conflict and Cooperation in International Politics,” and many more.

Anyone who plays so fast and loose with the truth, whether purposefully or out of pure ignorance, should not be trusted, and Ben Stein is no exception. For instance, Stein also says, “[…] I went to school at Columbia from ’62 to ’66. I don’t recall anybody saying anything negative about America at all.” So somehow Stein was unaware of the Columbia group Students for a Democratic Society, which was active throughout the 1960s and released its infamous Port Huron statement in 1962, criticizing the various injustices being perpetrated by the United States government at the time?

Stein also plays dumb on a more recent injustice, this time involving George W. Bush’s former political advisor and current Fox News pundit Karl Rove, whom Stein describes as a “[…] very good friend[…]” and as “[…] a wonderful, wonderful, […] incredibly great guy.” Stein became “[…] very upset […]” when he received a mass email suggesting Karl Rove be put in jail. “[… A]re you crazy?” Stein says he thought to himself. “Karl Rove hasn’t done anything criminal. […] What are you talking about?” One would think that such an email would describe the criminal acts that could send Rove to jail, but if it didn’t, Stein would not be much of a pundit, or a friend to Karl Rove, if he didn’t know the Democrats recently called for contempt charges to be leveled at Rove for his refusal to testify about the politicization of the Justice Department, charges that could lead to jail time. The politicization of the Justice Department is also in itself a crime, and Rove’s possible involvement in decisions to pursue Democratic politicians on trumped up criminal charges and to hire and fire attorneys based on political affiliation could also lead to jail time.

Stein likes to portray himself as a pretty smart guy. His television show Win Ben Stein’s Money was predicated on this entire idea. So why was he so dumb on C-Span?

The Scratch Papers, Page 61: “HardPressed Jess versus Clutch McBastard”

Sunday, August 10th, 2008

In my recent post about The Bridge Project anthology I neglected to mention another cartoonist whose work I admire that is also contributing to the book: Greg Means. Creator of the long-running mini-comic “Clutch McBastard,” Means’s work is a nice mix of the pleasantly mundane (autobiographical details about normal life) and the ridiculously absurd (one of his friends is drawn with a peanut body, a gum drop head and toothpicks for arms, one of which is always holding a doughnut). After encountering his work for the first time back in 2003 or 2004, I drew and mailed him the following, which is based on a page from his comic and drawn in his style:

I never heard back from him, so I’ve always feared he seethed at seeing his characters shown in such a shameless shilling. But here I am, posting it on my blogg anyway. Sorry Greg!

Putting the “Pro” Back in “Protest”

Sunday, August 10th, 2008

Keeping the troops entertained at a recent protest. Socialism never looked so good …

The Bridge Project Anthology

Saturday, August 9th, 2008

I haven’t blogged for a couple of weeks, but with good reason: I’ve been busy working on print projects for the upcoming Alternative Comics Expo! God willing, I won’t fall off the wagon and start playing video games again, thus eliminating any chance of finishing everything in time.

One major project I’m working on is a story for Matt Leunig’s new anthology The Bridge Project, which teams an artist from San Francisco with an artist from Portland to “create a ‘bridge’ in which [artists from] both [comics communities] can work together,” as Matt puts it on the book’s web site. I’ve been talking to Matt about contributing for a while now but haven’t said anything publicly for fear things wouldn’t work out. And with good reason: my first partner went AWOL and my second partner had to drop out due to time constraints. However, Matt finally teamed me up with the very talented Carolyn Main, noticing a tendency toward inappropriate potty humor in both our work (check out Carolyn’s blog; her willingness to cross the line for the funny puts me to shame!). We’re finishing up the rough draft of our contribution; a sample page can be seen below. Hopefully we’ll have everything done in time for Matt!

All joking aside, I feel very honored to be a part of The Bridge Project. I’m a huge fan of Matt’s psychedelic poster art, and I’m not just saying that because he’s the book’s editor. And besides Carolyn Main’s great work, the book will also feature the graffiti-influenced, grammatically-impaired styling of my friend Noir Amador, plus a couple of celebrities: Shannon Wheeler, creator of the famous “Too Much Coffee Man,” and Graham Annable, one of my favorite cartoonists. So keep checking this space for updates!