
Another hand drawing exercise, my favorite of the bunch. I had a bruised fingernail at the time, which is why my pinky looks that way. 1999.

Another hand drawing exercise, my favorite of the bunch. I had a bruised fingernail at the time, which is why my pinky looks that way. 1999.
My protégé Clave’s high school The Met had a dinner Wednesday night honoring their student’s mentors. It’s always nice to be appreciated, but the evening offered several special moments.
The first was merely learning more about The Met’s internship program, which is really quite innovative and interesting. Invented to create greater student investment in learning, all of the school’s students must have a mentor. The students’ work with their mentor constitutes a major part of their grade, and through that work they are expected to learn about traditional high school subjects (English, math, science, etc) in untraditional ways. I’m certainly not schooling young Clave in everything a high school graduate is expected to know, but besides becoming a better cartoonist Clave is also sharpening his analytical skills in his reading assignments and learning the sort of math skills required in everyday life by pricing his soon-to-be-self-published mini-comics. For those interested in learning more about the program, a student and mentor from Clave’s school were recently interviewed on the Capital Public Radio program Insight, which can be listened to here.
Appropriately, the mentor appreciation dinner was catered and put on in part by The Met’s students. For the most part the night went well, but of course there were a few moments of intended, and unintended, hilarity. For intended hilarity, Clave gave me a thank you card that continued the theme of the Christmas card given to me by him and his family in which he depicted himself with an enlarged, Akira-style head with the caption, “Thanks for letting me drain you of your knowledge.” The card Clave gave me last night can be seen below.

As for unintended hilarity, The Met gave me a certificate calling me, “Jesse Baggs of Independent Cartoonist.” As proud as I am to be one of the few non-corporate individuals on the list of mentors, couldn’t someone have caught this grammatical error? Aren’t there any aspiring copy editors at The Met?

But the funniest moment of the night was when one of Clave’s friends came to the table and Clave introduced him to “my parents, my mentor Jesse and his girlfriend Audrey.” Visibly excited, the young man said, “Of course you’re someone’s girlfriend. You’re too unattractive to be single.” There was a moment of awkward confusion before we realized he had meant, “too attractive,” not “too unattractive.” Then we were all just awkward.
Ah, high school. No matter how progressive and innovative, it’s still uncomfortable.


At the end of last week’s episode of Lost, many of us were upset to discover that we’d have to wait two weeks for the season finale. As always, however, we should have had more faith in the foresight and wisdom of the Lost creators, who, like God, surely make no decision that cannot be satisfactorily explained later.
The reason for postponing the Lost season finale? So our Thursday night would be free for the premiere of Indiana Jones and The Kingdom of The Crystal Skull, of course!
“You see, I have noticed, over the years, that many of my devoted fans want to know more about me than can be gleaned from either my cartoon work or my weblog entries. Every time I check my mail, there are more questions: Am I interested in surefire investment opportunities? Would I like to have sex with cheerleaders? Am I satisfied with the size of my penis? Things like that.
“It’s just the price of fame, I guess, this insatiable curiosity about me.”
The oh-so-witty Tom Tomorrow in the foreword to The Great Big Book of Tomorrow: A Treasury of Cartoons by Tom Tomorrow.

1998.
“‘If she was here I’d probably be just as crazy now as I was then in about 5 minutes. […] ’Cause being crazy about a woman like her is always the right thing to do.’”
Sam the Lion, played by Ben Johnson, in one of my favorite movies, The Last Picture Show (1971). My almost-30 workaday life variation on this quote: “Being crazy about a burrito like that is always the right thing to do.”
My sketchbook feature The Scratch Papers now has its own section on my web site, hardpressedink.com. Given the logistical issues involved, I originally thought my blogg would be a better place for such material, but one of the images was recently censored by MySpace (more on this later), so I decided it was time to give The Scratch Papers a more permanent home. Overall I like the presentation, although there are still some issues to work out. I also took down the “Design” and “Finishes” sections, although some of this work is still in my CreativeHotlist portfolio and still more will return to hardpressedink.com as the web site continues to evolve. I’m still available for finishes, design and layout work, but for now I’m shifting my focus to work in my own style.
Let me know what you think!
May is going to be a very busy month for me, and as a result I’ll be blogging less. My free time this week is almost nonexistent, which is why I haven’t posted anything until today.
For the last little while I’ve been trying to post something new every day, and while I’m pleased with the results my sanity and sleep schedule took some serious hits, as did my progress on new projects. As much as I enjoy The Scratch Papers and I Am an Amanuensis, they were only ever supposed to be supporting features, and posting them every day makes creating new comics for Hodgepodge Smörgåsbord or new illustrations for Shalampti difficult. So, The Scratch Papers and I Am an Amanuensis will now be appearing on a weekly or bi-weekly basis. Once I get more of a routine going, I hope to post at least one new comic or illustration a week, with also a longer form prose piece on a semi-weekly basis as well.
So, thanks as always for reading, and keep checking back as I have several projects in the works at various levels of completion that I’ll be posting soon!

2007.
“When people say they do not care what others think of them, for the most part they deceive themselves. Generally they mean only that they will do as they choose, in the confidence that no one will know their vagaries; and at the utmost that they are willing to act contrary to the opinion of the majority because they are supported by the approval of their neighbors. It is not difficult to be unconventional in the eyes of the world when your unconventionality is but the convention of your set. It affords you then an inordinate amount of self-esteem. You have the self-satisfaction of courage without the inconvenience of danger. But the desire for approbation is perhaps the most deeply seated instinct of civilized man. […] I do not believe the people who tell me they do not care a row of pins for the opinion of their fellows. It is the bravado of ignorance. They mean only that they do not fear reproaches for peccadilloes which they are convinced none will discover.”
W. Somerset Maugham, The Moon and Sixpence. London: Penguin, 1944. Pages 53-54; emphasis added.